Portugal. The Man
Evil Friends
(Atlantic)
June 4th, 2013
Grade: D
Far
be it for me to criticize the work ethic of Portugal. The Man. Keeping
themselves to a strict one album per year release schedule (with the
exception of 2012), and managing to somehow make all those
quality records, is no small feat. But somewhere along the way, quality
control took a swift downturn in the interest of making sure they could
keep to that schedule. Not that it was readily noticeable at first.
Portugal. The Man have been playing a clever game of creating a
distinctive, different sound for each album while still carrying over
their authentic quirkiness. And for awhile it seemed the whole, “bang
out a record in a month, tour, write another record while on tour,
release, and repeat” methodology was working just fine. Each album,
captured a snapshot of the band’s creative influences at the time.
Whether it was the psychedelic, fuzzy, synth pop of Waiter: You Vultures!, or their “obsessed with the Beatles” phase of Censored Colors.
But since signing to Atlantic, the stress of having to have constant
material, whether they’ll readily admit it or not, seemed to have
finally got to them. In The Mountain Cloud was
praised for being “the most accessible Portugal.The Man album to date”
and lauded for it’s “pop music sensibilities”. At first it seemed,
Portugal. The Man were just doing what they do best; experimenting with
yet another phase of there's, and this time it just happened to be
easy-listening, radio friendly, pop music with only the barest notation of being unique or original. “That Portugal.
The Man!”, chortled their fans upon listening. “They sure are an eclectic
bunch! Man it’s like there’s nothing they can’t do! Can’t wait to hear
what they pull on the next record!”
I have no way of knowing if this is in fact authentically where
Portugal. The Man want to go with their music or if it’s juts them kowtowing
to Atlantic, but the fact remains; if In The Mountain Cloud hinted at a trend, the two years in the making Evil Friends all
but confirms it. The band once known for the quirky song structures,
creative use of electronic elements blended with guitars, tongue in
cheek lyrics, and innovated song structures, have been outed as either
guys that didn’t know any better who just got lucky, or guys who sold
out.
Evil Friends plays
it safe, trading the band’s previous creativity for blah
verse-chorus-verse-chorus, song structures. Every song hints at some of
the band’s old brilliance every now and then; a frantic, stripped down
acoustic intro (“Sea Of Air”) here, a cool bit of icy synthwave (“Modern
Jesus”) there. But those hopes are quickly dashed once you realize that
every song essentially builds up to the same tried, anthemic, chorus;
choruses which are almost interchangeable.
Portugal
has already demonstrated that they’re capable of so much more than easy
listening pop. On top of that, John Gourley’s voice simply isn’t cut
out for the formula. By his own admission, he’s not the best singer and
he certainly hasn’t improved here. His quasi-falsetto that blended in so
well on their more chaotic sounding, jangly pop records, just sticks
out sorely more than it ever has on Friends.
The songs feel a bit too weak and claustrophobic with an all
encompassing piano the NEVER stops for the rest of the album. Other
songs trade the jangling piano for bland choruses and overwhelming
production, that all but buries any authenticity. (“Waves”, “Holy Roller”
, and “Someday Believe” being the most obvious offenders)
The few great moments oddly enough, are when Portugal. The Man decided
to screw the piano pop format for blistering, energy laden indie rock,
played refreshingly straight. (The title track, “Hip Hop Kids” , and
“Atomic Man”). And the drumming on the album is simply superb. While the
production still feels a little too club scene meets Coldplay, the
beats stay tight and when paired with timely bass grooves (on the rare
times the bass isn’t simply maxed out), they add life to an otherwise
dull affair.
Evil Friends is
quite simply a step backwards for Portugal. The Man. There simply isn’t
much to recommend. After all their transformations and re-inventions
over the years, Portugal, have successfully managed to become the one
thing no one could have seen coming; predictable.
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